Rocky Hall Hills Hut

Provenance

Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Settings
180mm · f/8.0 · 1/250 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Corrugated iron walls showing deep, even rust across the full surface. Timber posts support a lean-to structure. The hills behind are open and largely empty. No signage, no fencing visible in the frame. The shelter stands alone in the landscape.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Rocky Hall Hills Hut at A Place to Call Home, unframed print displayed in situ on a wall.Rocky Hall Hills Hut at A Place to Call Home, white-framed print displayed in situ on a wall.Rocky Hall Hills Hut at A Place to Call Home, black-framed print displayed in situ on a wall.Rocky Hall Hills Hut at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Rocky Hall Hills Hut at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Rocky Hall Hills Hut
Series
A Place to Call Home
Catalogue
PCH-018
Process
Giclée
Captured
21 December 2018
Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Aperture
f/8.0
Shutter
1/250 s
ISO
100
Focal length
180 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

Rocky Hall Hills Hut is a lean-to of corrugated iron on timber posts, its walls oxidised to a deep brown-red across every surface. The iron is not merely rusty; it has moved through the full colour range that galvanised iron travels when left without maintenance across decades, from silver-grey to the dark, uneven red visible here. The timber posts remain upright, still doing their job of holding the structure against the hills behind it. The building sits within the broader pastoral landscape of rural New South Wales, a region settled by European squatters from the late 1820s onward and then by selectors following the Robertson Land Acts of 1861, which opened Crown land to free selection at £1 per acre. The vernacular structures of that era were built to be functional, not permanent: corrugated iron roofing and cladding replaced earlier bark and timber shingle construction as materials became available, and lean-to additions were a standard way of extending a basic shelter without starting again. Surgeon Peter Cunningham documented the typical lean-to addition, or "back-skilling," as a common feature of colonial rural construction from the earliest settler period onward. What the photograph records is the end of that useful life. The iron has not been replaced or patched. The posts have not been reset. The hills behind the hut are empty. The structures that sat between the formally heritage-listed alpine huts and the town buildings covered by local environmental plans occupied a gap in official protection, and for most of them, collapse is the only trajectory that remains. Rocky Hall Hills Hut is still standing in 2018, which is further than many similar structures made it. Part of the A Place to Call Home series, documenting rural vernacular buildings across the Snowy Monaro region and Hunter Valley photographed between 2016 and 2019.

04 FROM THE FIELD NOTES

Rocky Hall Hills Hut is a lean-to of corrugated iron and timber posts, its walls rusted to a deep brown-red that signals age well beyond living memory. Structures like this were the working infrastructure of the Monaro's pastoral era: put up quickly, maintained until they weren't, then left standing when the people who needed them moved on. The iron has gone from silver to rust, which tells its own story about how long it has been standing here without anyone to patch the roof.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.