Snowy River Shearers Quarters
Provenance
- Camera
- NIKON Z 7
- Lens
- 250.0-560.0 mm f/5.6
- Settings
- 400mm · f/5.6 · 1/400 · ISO 160
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A low-set shearers' quarters building of timber and corrugated iron under a rusted roofline. A row of tall Lombardy poplars lines the structure. Stock yards sit on either side. Hills rise under a pale sky beyond.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Snowy River Shearers Quarters
- Series
- A Place to Call Home
- Catalogue
- PCH-037
- Process
- Giclée
- Captured
- 28 December 2018
- Camera
- NIKON Z 7
- Lens
- 250.0-560.0 mm f/5.6
- Aperture
- f/5.6
- Shutter
- 1/400 s
- ISO
- 160
- Focal length
- 400 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
A shearers' quarters in the Snowy River region, timber-framed and roofed in corrugated iron now gone to rust, sheltered by a row of Lombardy poplars. Stock yards bracket the building on either side, the hills beyond sitting low under a pale sky. Structures like this were the working accommodation of the Monaro's pastoral boom, housing the itinerant labour force that kept the wool clip moving across runs established from the 1830s onward and consolidated through the selection era after 1861.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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