Springfield Drovers Hut
Provenance
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Settings
- 180mm · f/5.6 · 1/640 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
The Springfield Drovers Hut stands weathered, its timber walls and corrugated iron roof succumbing to the elements. This remote structure once sheltered stockmen on long cattle drives across the Australian landscape.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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Ships within 10 business days · signed & numbered
In situ





Print datasheet
- Title
- Springfield Drovers Hut
- Series
- A Place to Call Home
- Catalogue
- PCH-038
- Process
- Giclée
- Captured
- 28 December 2018
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Aperture
- f/5.6
- Shutter
- 1/640 s
- ISO
- 100
- Focal length
- 180 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
A single corrugated iron hut sits low in open grassland. The walls are galvanised steel, weathered to a dull grey. A timber door hangs slightly ajar. Rust stains bleed from the roofline where fixings have corroded. Behind the structure, a wooden power pole carries two lines across flat scrubland that stretches unbroken to the horizon. The sky holds a wash of amber and pale cloud. A pile of loose bricks leans against one corner.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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