Springfield Drovers Hut
Provenance
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Settings
- 180mm · f/5.6 · 1/640 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A small timber-walled hut with a corrugated iron roof, both in advanced weathered deterioration. The walls show exposed grain and surface splitting from prolonged exposure. The iron roof has taken on the patina of long oxidation. The structure sits in what appears to be open rural country. No furnishings or fittings are visible in the frame.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Springfield Drovers Hut
- Series
- A Place to Call Home
- Catalogue
- PCH-038
- Process
- Giclée
- Captured
- 28 December 2018
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Aperture
- f/5.6
- Shutter
- 1/640 s
- ISO
- 100
- Focal length
- 180 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
The Springfield Drovers Hut stands as a remnant of the working pastoral landscape of rural New South Wales, its split timber walls and corrugated iron roof worn down by decades of exposure. Huts of this type were built to shelter stockmen on long cattle drives, single-room structures erected quickly and maintained only as long as the work demanded. The vernacular form is consistent with drovers' and stockmen's huts documented across the region: timber-slab construction, iron roofing, and a floor plan stripped back to what a man needed for a night's shelter on the road.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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