Talbots Place

Provenance

Camera
NIKON Z 7
Lens
14.0-24.0 mm f/2.8
Settings
18mm · f/8.0 · 1/250 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A corrugated iron shed with a painted sign reading "J.E. Talbot" above a rusted roller door. Old drums and timber pallets crowd the frontage. A weathered bowser sits to one side. Grass and wildflowers grow unchecked across the yard.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Talbots Place at A Place to Call Home, unframed print displayed in situ on a wall.Talbots Place at A Place to Call Home, white-framed print displayed in situ on a wall.Talbots Place at A Place to Call Home, black-framed print displayed in situ on a wall.Talbots Place at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Talbots Place at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Talbots Place
Series
A Place to Call Home
Catalogue
PCH-026
Process
Giclée
Captured
22 December 2018
Camera
NIKON Z 7
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1/250 s
ISO
100
Focal length
18 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The painted name "J.E. Talbot" sits above a rusted roller door on a corrugated iron shed in rural New South Wales. Old drums and timber pallets are stacked against the frontage. A weathered bowser stands where it was last used. Grass and wildflowers have pushed through the yard unchecked, reclaiming ground that was once kept clear by the daily business of a working property. Corrugated galvanised iron became the dominant building material across the Monaro and surrounding pastoral districts through the wool boom years of the 1870s and 1880s. Where earlier settlers had relied on bark, timber slabs, and wooden shingles, the availability of iron sheeting allowed faster construction of more durable outbuildings: woolsheds, barns, machinery stores, and fuel depots. The colour of the iron is a rough guide to its age; silver-grey sheeting is relatively recent, while the deep brown-red of heavy rust indicates material laid down well before the turn of the twentieth century. The shed at Talbots Place sits somewhere in between. The bowser and drums point to fuel storage, a practical necessity on a rural property where the nearest service was a considerable distance away. Timber pallets kept goods off the ground, managing moisture and the slow rot that takes most timber in contact with earth. These are not romantic details. They are the ordinary logistics of keeping a property viable in a landscape where resupply was neither quick nor cheap. By 2018, when this photograph was made, the yard had been surrendered to growth and the shed door had not rolled in some time. The name on the wall is the last reliable record of who kept this place. Part of the A Place to Call Home series, which documents abandoned rural structures across the Snowy Monaro region and Hunter Valley of New South Wales, photographed by Brett Patman between 2016 and 2019.

04 FROM THE FIELD NOTES

The painted name "J.E. Talbot" sits above a rusted roller door on a corrugated iron shed in rural New South Wales, drums and timber pallets stacked against the frontage, a weathered bowser left where it was last used. Wildflowers have pushed through the yard. Corrugated iron became the standard roofing and cladding material across established pastoral properties through the wool boom years of the 1870s and 1880s, and sheds like this one served as the working infrastructure of small rural holdings, storage for fuel, tools, and equipment that kept a property running between town trips.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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