Talbots Place
Provenance
- Camera
- NIKON Z 7
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 18mm · f/8.0 · 1/250 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A corrugated iron shed with a painted sign reading "J.E. Talbot" above a rusted roller door. Old drums and timber pallets crowd the frontage. A weathered bowser sits to one side. Grass and wildflowers grow unchecked across the yard.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Talbots Place
- Series
- A Place to Call Home
- Catalogue
- PCH-026
- Process
- Giclée
- Captured
- 22 December 2018
- Camera
- NIKON Z 7
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/250 s
- ISO
- 100
- Focal length
- 18 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
The painted name "J.E. Talbot" sits above a rusted roller door on a corrugated iron shed in rural New South Wales, drums and timber pallets stacked against the frontage, a weathered bowser left where it was last used. Wildflowers have pushed through the yard. Corrugated iron became the standard roofing and cladding material across established pastoral properties through the wool boom years of the 1870s and 1880s, and sheds like this one served as the working infrastructure of small rural holdings, storage for fuel, tools, and equipment that kept a property running between town trips.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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