Valley Shearers Quarters
Provenance
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Settings
- 230mm · f/5.6 · 1/250 · ISO 250
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Light enters through a single window and pools on worn timber floorboards. The interior is bare and unadorned. Surfaces show the accumulated wear of repeated seasonal occupation. Nothing has been left behind except the floorboards and the light crossing them.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Valley Shearers Quarters
- Series
- A Place to Call Home
- Catalogue
- PCH-041
- Process
- Giclée
- Captured
- 28 December 2018
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Aperture
- f/5.6
- Shutter
- 1/250 s
- ISO
- 250
- Focal length
- 230 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
Window light falls across the floorboards of the Valley Shearers Quarters, a communal structure that once provided temporary shelter for itinerant shearers during the wool season. Buildings like this were a practical fixture across the pastoral runs of Rural New South Wales, housing the seasonal workforce that kept the wool economy moving. The interior is stripped back to bare boards and bare walls. What remains is the structure itself, and the quality of light that still finds its way through the glass each morning.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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