Valley Shearers Quarters

Provenance

Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Settings
230mm · f/5.6 · 1/250 · ISO 250
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Light enters through a single window and pools on worn timber floorboards. The interior is bare and unadorned. Surfaces show the accumulated wear of repeated seasonal occupation. Nothing has been left behind except the floorboards and the light crossing them.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Valley Shearers Quarters at A Place to Call Home, unframed print displayed in situ on a wall.Valley Shearers Quarters at A Place to Call Home, white-framed print displayed in situ on a wall.Valley Shearers Quarters at A Place to Call Home, black-framed print displayed in situ on a wall.Valley Shearers Quarters at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Valley Shearers Quarters at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Valley Shearers Quarters
Series
A Place to Call Home
Catalogue
PCH-041
Process
Giclée
Captured
28 December 2018
Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Aperture
f/5.6
Shutter
1/250 s
ISO
250
Focal length
230 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The Valley Shearers Quarters sits within the broader pastoral landscape of Rural New South Wales, a communal structure built to house the itinerant shearers who moved between runs during the wool season. The interior is plain: timber floorboards, bare walls, a window. Light comes through that window and crosses the floor the same way it always did, indifferent to whether anyone is there to see it. Shearers' quarters across the Monaro and wider pastoral districts were working buildings with no pretension to comfort beyond the functional. The research file for the A Place to Call Home series notes that such structures typically comprised communal huts with approximately ten bunks, housing not only shearers but stockmen, blacksmiths, saddlers, and bullock drivers at the height of a station's activity. They were built quickly and maintained only as long as they were needed. The wool economy that made these buildings necessary was never stable. The 1880s boom, when £100,000 worth of wool could trade in a single Sydney afternoon, gave way to the 1890s drought, the rabbit plague, and collapsing prices that halved sheep numbers across New South Wales. The Snowy Mountains Hydro-electric Scheme, constructed between 1949 and 1974, displaced pastoral communities further across the high country and its margins. Then the 1991 collapse of the Wool Reserve Price Scheme, which sent prices to approximately $3 per kilogram, removed the last economic floor from properties already running on thin margins. Buildings like the Valley Shearers Quarters were not abandoned in a single event. They were left incrementally, as each successive blow to the industry made them less necessary. By the time Brett Patman photographed this one in 2018, the worn floorboards and the window were doing what they had always done. The photograph records that continuing, quiet fact.

04 FROM THE FIELD NOTES

Window light falls across the floorboards of the Valley Shearers Quarters, a communal structure that once provided temporary shelter for itinerant shearers during the wool season. Buildings like this were a practical fixture across the pastoral runs of Rural New South Wales, housing the seasonal workforce that kept the wool economy moving. The interior is stripped back to bare boards and bare walls. What remains is the structure itself, and the quality of light that still finds its way through the glass each morning.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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