Wyndam Home
Provenance
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Settings
- 330mm · f/5.6 · 1/640 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Interior of the Wyndam Home. Dust coats the surface of forgotten furniture left in place. Light enters through broken windows, falling across walls where paint and plaster have peeled back in layers. The floor and surfaces show prolonged exposure to the elements.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Wyndam Home
- Series
- A Place to Call Home
- Catalogue
- PCH-013
- Process
- Giclée
- Captured
- 26 December 2016
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Aperture
- f/5.6
- Shutter
- 1/640 s
- ISO
- 100
- Focal length
- 330 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
Inside the Wyndam Home, dust settles across furniture that was never taken when the last occupants left. Light filters through broken windows onto walls peeling back through layers of paint, each one a different decade. The building is one of 59 subjects Brett Patman photographed across rural New South Wales between 2016 and 2019, documenting pastoral dwellings that sit outside formal heritage protection and are steadily returning to the ground.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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