Wyndam Home

Provenance

Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Settings
330mm · f/5.6 · 1/640 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Interior of the Wyndam Home. Dust coats the surface of forgotten furniture left in place. Light enters through broken windows, falling across walls where paint and plaster have peeled back in layers. The floor and surfaces show prolonged exposure to the elements.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Wyndam Home at A Place to Call Home, unframed print displayed in situ on a wall.Wyndam Home at A Place to Call Home, white-framed print displayed in situ on a wall.Wyndam Home at A Place to Call Home, black-framed print displayed in situ on a wall.Wyndam Home at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Wyndam Home at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Wyndam Home
Series
A Place to Call Home
Catalogue
PCH-013
Process
Giclée
Captured
26 December 2016
Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Aperture
f/5.6
Shutter
1/640 s
ISO
100
Focal length
330 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

Inside the Wyndam Home, dust has settled across furniture left in place when the building was abandoned. Light enters through broken windows, crossing walls where paint has peeled back in layers, each coat a different period in the building's life. The floor and remaining surfaces carry the slow accumulation of years of exposure. The Wyndam Home is one of 59 pastoral dwellings, selector's cottages, and rural outbuildings photographed by Brett Patman across rural New South Wales between 2016 and 2019 for the A Place to Call Home series. The series spans the Snowy Monaro region and the Hunter Valley, documenting structures that represent the full arc of rural settlement in New South Wales: from the squatter huts of the 1830s and 1850s through the selector's cottages built after the Robertson Land Acts of 1861, to the consolidated pastoral infrastructure of the wool boom era from the 1870s to the 1890s. These buildings sit in a gap in heritage protection. The formally listed alpine huts of the Kosciuszko National Park have volunteer organisations and parks staff working to maintain them. Town buildings have council Local Environmental Plan schedules. The isolated pastoral structures between those two categories have neither, and the Wyndam Home is among them. The peeling walls visible in this photograph are consistent with the interiors of vernacular rural buildings across the region, where newspaper or hessian was used to line slab walls against draughts as the timber shrank over time. What is left now is the record of a domestic space that was once maintained, repainted, and lived in, photographed in 2016 before further deterioration takes it beyond recognition.

04 FROM THE FIELD NOTES

Inside the Wyndam Home, dust settles across furniture that was never taken when the last occupants left. Light filters through broken windows onto walls peeling back through layers of paint, each one a different decade. The building is one of 59 subjects Brett Patman photographed across rural New South Wales between 2016 and 2019, documenting pastoral dwellings that sit outside formal heritage protection and are steadily returning to the ground.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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