Floral

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
15mm · f/8.0 · 0.8s · ISO 400
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Within the derelict Post Office, a delicate flower grows from the floor. Its petals unfurl, a small bloom amidst the pervasive dust and forgotten architecture.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Floral at The Post Office, a torn blue curtain hangs from a window, half-collapsed, letting a shaft of light cut.Floral at The Post Office, a torn blue curtain hangs from a window, half-collapsed, letting a shaft of light cut.Floral at The Post Office, a torn blue curtain hangs from a window, half-collapsed, letting a shaft of light cut.Floral at The Post Office, a torn blue curtain hangs from a window, half-collapsed, letting a shaft of light cut.Floral at The Post Office, a torn blue curtain hangs from a window, half-collapsed, letting a shaft of light cut.
01 PROVENANCE

Print datasheet

Title
Floral
Series
Big Hill Post Office
Process
Giclée
Captured
13 June 2020
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
0.8s s
ISO
400
Focal length
15 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Big Hill, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Big Hill, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A wall in one of the bedrooms at the Big Hill Post Office is plastered with newspaper sheets from the 1940s, including a layer of floral-printed wallpaper underneath. The newspapers were applied directly over the vertical timber slabs that form the building's structure. Where the paper has lifted, the slabs underneath are visible, dark with age. The floral wallpaper sits between the paper and the slab in places, partially obscured. Headlines and advertising fragments are still readable on the newspaper layer. The walls give the impression of a room papered for warmth rather than decoration.

Newspaper-on-slab is a common interior treatment in Australian rural buildings of the late nineteenth and early twentieth centuries. The slabs were the structural wall, but their gaps let cold air through, and pasted newspaper sealed the joints. The papers also gave the room a finished surface and, by accident, created a record of what was being read at the time the wall was made. At the Big Hill Post Office, layers of paper were added over decades. The most recent layer dates from the 1940s, around the time the post office was closed. The room has been preserving its own decade ever since.

04 FROM THE FIELD NOTES

Floral wallpaper clings to timber-framed walls, its pink and green pattern still visible beneath layers of grime and moisture damage. A torn blue curtain hangs from a window, half-collapsed, letting a shaft of light cut through dust-thick air. Bedding and fabric pile across a mattress on the floor. Carpet has peeled back to bare earth. The corrugated iron ceiling holds, but everything beneath it is softening, sagging, returning to dirt.

Brett Patman

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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