Bench
Provenance
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 2.5 sec · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A wooden counter holds a Super Pine disinfectant bottle and a green-wrapped Winning Post package, both coated in dust. Small forgotten objects rest on the worn surface. The wall behind is papered entirely in overlapping, faded Opera House Lottery tickets.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Bench
- Series
- Marina Picture Palace
- Catalogue
- MPP-005
- Process
- Giclée
- Captured
- 31 March 2019
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 2.5 sec s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 297 × 210 mm
- Location
- Sydney, New South Wales, Australia
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Sydney, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
A wooden counter inside the derelict Marina Picture Palace on Gardeners Road, Rosebery, holds a bottle of Super Pine disinfectant and a green-wrapped Winning Post package, both thick with dust. Small objects rest on the worn timber surface, undisturbed. Behind them, the wall is covered entirely in overlapping Opera House Lottery tickets, layer after layer of faded paper. Marina Picture Palace opened on 28 May 1927 and served the Rosebery community through silent pictures, talkies, Greek-language screenings, and a final life as a video shop before closing around 2002.
Brett Patman
The series
Marina Picture Palace
The Marina Theatre, at first the Marina Picture Palace, is a former suburban cinema at Rosebery in Sydney, opened in 1927 and run as a cinema until 1984. The architect William de Putron designed it in 1925 and was one of the consortium formed to establish and run it, with the builder William Henry Rumble and the theatre manager Eric Christensen. It is brick, with a rendered Inter-War free-classical front under a stepped parapet and a corrugated iron roof.
Print sizes
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