Glass
Provenance
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 0.6 sec · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Rectangular and curved glass panes lean against a teal-painted wall, their lower edges buried in dust and grit on a shelf with flaking green paint. The teal paint has lifted in broad curling sheets, exposing rough plaster beneath. A weathered brown partition with a small metal latch occupies the right edge of the frame.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Glass
- Series
- Marina Picture Palace
- Catalogue
- MPP-008
- Process
- Giclée
- Captured
- 31 March 2019
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 0.6 sec s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 297 × 210 mm
- Location
- Sydney, New South Wales, Australia
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Sydney, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
Inside Marina Picture Palace on Gardeners Road, Rosebery, peeling teal paint curls away from the plaster in wide sheets, exposing the rough render beneath decades of moisture damage. Glass panes, rectangular and curved, lean against the wall on a dust-covered shelf edged with flaking green paint. The Inter-War free-classical building opened on 28 May 1927 and operated as a neighbourhood cinema until 8 February 1984, when it closed its doors for the final time. It has stood vacant since around 2002.
Brett Patman
The series
Marina Picture Palace
The Marina Theatre, at first the Marina Picture Palace, is a former suburban cinema at Rosebery in Sydney, opened in 1927 and run as a cinema until 1984. The architect William de Putron designed it in 1925 and was one of the consortium formed to establish and run it, with the builder William Henry Rumble and the theatre manager Eric Christensen. It is brick, with a rendered Inter-War free-classical front under a stepped parapet and a corrugated iron roof.
Print sizes
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