Hire Shop

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 2.5 sec · ISO 400
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A heavy metal door spray-painted with "T103" in yellow stands open onto a dark interior. Price lists are fixed to the wall above a white pegboard and a timber pallet. An arched sign reading "Greek movies" curves across the upper right wall in faded lettering. The room is bare concrete and plaster.

Edition
Open edition

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In situ

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01 PROVENANCE

Print datasheet

Title
Hire Shop
Series
Marina Picture Palace
Catalogue
MPP-009
Process
Pigment inkjet, archival
Captured
31 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
2.5 sec s
ISO
400
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Sydney, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Sydney, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The metal door is spray-painted T103 in yellow. Above it, an arched sign in faded lettering reads "Greek movies", curving across the plaster of the upper wall. Price lists are still pinned above the white pegboard. A timber pallet rests against the wall below. This is the hire shop corner of the Marina Picture Palace at 409 Gardeners Road, Rosebery, and it is one of the more quietly specific rooms in Sydney's suburban cinema history. The Marina Picture Palace opened on 28 May 1927, designed by architect William de Putron and built by a small consortium that also included builder William Henry Rumble and cinema pioneer Eric Christensen, who placed a gold sovereign in the brickwork during construction. The building was an Inter-War free-classical design: a stepped parapet, symmetrical rendered facade, and an auditorium fitted originally with pressed metal Wunderlich ceiling panels and an orchestra pit beneath the stage. It was never a flagship. It was a neighbourhood house, and it passed through several hands across six decades: the Ward brothers, Snider and Dean's Mascot Theatres circuit, and finally the Louis Film Company, which purchased the Marina in 1967. Chris Louis bought the cinema in honour of his wife, whose name was also Marina. The Louis family specialised in continental and Greek-language films, meeting a specific need in the pre-SBS era. That is what the arched sign records: a period when a suburban cinema at the corner of Gardeners Road and Sutherland Street was one of the few places in Sydney where Greek-speaking audiences could watch films in their own language. The cinema closed for the final time on 8 February 1984. The Louis family converted the stalls into a video and DVD shop, building the steel-lined storage room and fixing price boards to the partition walls. The shop closed around 2002. The Marina Picture Palace has stood vacant since. When this photograph was made in 2019, the price lists were still on the wall.

04 FROM THE FIELD NOTES

The hire shop corner of the Marina Picture Palace is what remained after the cinema closed on 8 February 1984. The Louis family, who had operated the theatre since 1967 and specialised in Greek-language and continental films, converted the stalls into a video shop. They built a steel-lined room for secure storage and fixed price boards to the partition walls. The arched "Greek movies" sign above the metal door marks the era when the Marina drew a Greek-speaking audience in pre-SBS Rosebery. By around 2002 the shop had closed too.

Brett Patman

Marina Picture Palace

The series

Marina Picture Palace

2019 · 20 photographs

Marina Picture Palace opened on 24 June 1927 on the corner of Gardeners Road and Sutherland Road, between Mascot and Rosebery. The architect William DePruton, who was also one of the original owners, designed it as a 1,210-seat single-screen picture palace, opening with a double bill of Mary Pickford in *Sparrows* and John Barrymore in *The Beloved Rogue*. The Snider & Dean Circuit ran the cinema from 1939 until the early 1960s. After a series of openings and closings under independent operators, the building reopened as the Rosebery Cinema on 1 October 1982 and closed as a working cinema for the final time on 8 February 1984. The stalls were converted into Videomania, a video shop that traded with much of the cinema's original decoration intact, until that closed by 2002. The building was converted to 47 apartments in the 2010s.

View all in this series →

05 SIZE GUIDE

Print sizes

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Anatomy · true ratio
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