Marina Picture Palace

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1/250 sec · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A 'Top Video' sign hangs from the awning at 409 Gardeners Road, Rosebery, below a rust-coloured vertical fin that rises the full height of the street facade. Graffiti covers the rendered lower walls. A bent metal barrier lies on the footpath in the foreground.

Edition
Open edition

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Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

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In situ

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01 PROVENANCE

Print datasheet

Title
Marina Picture Palace
Series
Marina Picture Palace
Catalogue
MPP-010
Process
Pigment inkjet, archival
Captured
31 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1/250 sec s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Sydney, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Sydney, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The rust-coloured vertical fin above the awning at 409 Gardeners Road is the most visible remnant of a building that once read, in the words of its own era, as "a place quite separated from the everyday quality of the surrounding suburban development." The Marina Picture Palace was designed by architect William de Putron in 1925 in the Inter-War free-classical style: a symmetrical facade of rendered shadow-bands, stepped parapet with roundels, ceramic tiles, and expressed brick detailing. De Putron was not simply the architect for hire. He was a consortium member alongside builder William Henry Rumble and cinema pioneer Eric Christensen, who placed a gold sovereign in the brickwork during construction. The Marina opened on 28 May 1927 with a mixed programme: Mary Pickford in Sparrows, John Barrymore in The Beloved Rogue, a film on the Birth of Canberra, and a live performance by Bill Mason. Construction had been briefly delayed in late 1926 by a steel girder shortage reported by Botany Police. The building complied with the 1908 Theatres and Public Halls Act, a detail Building magazine considered noteworthy when it covered the Marina on 12 March 1927. The cinema changed hands several times. In 1935 the property was sold to William and Norman Ward after rates went unpaid. In January 1939 Mascot Theatres Pty Ltd, part of the Snider and Dean circuit, acquired the freehold. In 1967 Chris Louis of Louis Film Company purchased the Marina in honour of his wife, whose name was also Marina. The Louis family specialised in continental and Greek-language films in the era before SBS television. After the Marina closed as a cinema on 8 February 1984, the Louis family converted the stalls to a video and DVD shop. The shop closed around 2002 and the building has stood vacant since. It is the only surviving pre-World War Two theatre in the former Botany Bay LGA. In 2019, graffiti covered the rendered lower walls, a bent metal barrier lay on the footpath, and a modern building with green-tinted glass pressed close on the left. The fin still rose the full height of the facade above Gardeners Road.

04 FROM THE FIELD NOTES

The Marina Picture Palace opened on 28 May 1927, designed by architect William de Putron, who also held a stake in the consortium that built it alongside builder William Henry Rumble and cinema pioneer Eric Christensen. The Inter-War free-classical facade on Gardeners Road was intended to read as something quite apart from the surrounding suburban neighbourhood. By 2019, the rendered walls were thick with graffiti, a 'Top Video' sign hung from the awning, and the building had been vacant since the video shop closed around 2002.

Brett Patman

Marina Picture Palace

The series

Marina Picture Palace

2019 · 20 photographs

Marina Picture Palace opened on 24 June 1927 on the corner of Gardeners Road and Sutherland Road, between Mascot and Rosebery. The architect William DePruton, who was also one of the original owners, designed it as a 1,210-seat single-screen picture palace, opening with a double bill of Mary Pickford in *Sparrows* and John Barrymore in *The Beloved Rogue*. The Snider & Dean Circuit ran the cinema from 1939 until the early 1960s. After a series of openings and closings under independent operators, the building reopened as the Rosebery Cinema on 1 October 1982 and closed as a working cinema for the final time on 8 February 1984. The stalls were converted into Videomania, a video shop that traded with much of the cinema's original decoration intact, until that closed by 2002. The building was converted to 47 apartments in the 2010s.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
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