Movie Posters

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1.6 sec · ISO 500
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Posters for Big and a Greek-language film lean against a wall with paint curling away in long strips. A hand-lettered sign above a doorway points toward Greek movies. Price boards hang near what was once the ticket counter. White debris scatters across the concrete floor.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$0.00 AUD
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Movie PostersMovie PostersMovie PostersMovie PostersMovie Posters
01 PROVENANCE

Print datasheet

Title
Movie Posters
Series
Marina Picture Palace
Catalogue
MPP-011
Process
Pigment inkjet, archival
Captured
31 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1.6 sec s
ISO
500
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Sydney, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Sydney, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

In the lobby of Marina Picture Palace, 409 Gardeners Road, Rosebery, two film posters lean against a wall from which the paint is lifting in long strips. One is for Big. The other is in Greek. Above a doorway, a hand-lettered sign with a pointing arrow directed patrons toward the Greek-language screenings. Price boards listing separate weekday and weekend rates still hang near what was once the ticket counter. White debris, possibly plaster fall, scatters across the concrete floor. The signage is a direct record of the Louis Film Company era. Chris and Chaniglia Louis purchased the Marina in 1967, with Chris Louis buying the cinema in honour of his wife, whose name was also Marina. The Louis family operated over 18 theatres around Sydney and specialised in continental and Greek-language films in the years before SBS television brought that programming into living rooms across the country. The price boards and the hand-lettered sign are what remained of that trade when the cinema closed its doors as a cinema on 8 February 1984. After 1984, the Louis family converted the stalls area into a video and DVD shop. A steel-lined room was built in the north-eastern corner for secure video storage, and a partition wall carried the price boards and the Greek movies sign forward into a new use. The dress circle was taken out of service. The original seating was sold and dispersed to other Inter-War theatres across the city. Marina Picture Palace opened on 28 May 1927, designed by architect William de Putron, who was also a consortium member alongside builder William Henry Rumble and cinema pioneer Eric Christensen. It is the only surviving pre-World War Two theatre in the former Botany Bay local government area, and the only cinema known to have been designed by de Putron. The building is a local heritage item under the Bayside Local Environmental Plan 2021. As of 2019, the lobby remained as the Louis family left it.

04 FROM THE FIELD NOTES

In the lobby at 409 Gardeners Road, Rosebery, two film posters rest against a peeling wall: one for Big, one in Greek. Above a doorway, a hand-lettered sign with a pointing arrow directed patrons to the Greek-language screenings. Price boards listing weekday and weekend rates still hang near where the ticket counter once stood. Paint curls from the walls in long strips, and white debris, possibly plaster fall, scatters across the concrete floor below.

Brett Patman

Marina Picture Palace

The series

Marina Picture Palace

2019 · 20 photographs

Marina Picture Palace opened on 24 June 1927 on the corner of Gardeners Road and Sutherland Road, between Mascot and Rosebery. The architect William DePruton, who was also one of the original owners, designed it as a 1,210-seat single-screen picture palace, opening with a double bill of Mary Pickford in *Sparrows* and John Barrymore in *The Beloved Rogue*. The Snider & Dean Circuit ran the cinema from 1939 until the early 1960s. After a series of openings and closings under independent operators, the building reopened as the Rosebery Cinema on 1 October 1982 and closed as a working cinema for the final time on 8 February 1984. The stalls were converted into Videomania, a video shop that traded with much of the cinema's original decoration intact, until that closed by 2002. The building was converted to 47 apartments in the 2010s.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.