Projector and TV
Provenance
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 14mm · f/8.0 · 3.0 sec · ISO 1000
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A dust-coated vintage television set and a large film projector occupy a corner, separated by a brown partition wall with blue-painted moulding above. Two small speakers sit on top of the television set. A winding black cable crosses the debris-strewn floor toward a bright doorway. The television screen reflects a staircase beyond the frame.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Projector and TV
- Series
- Marina Picture Palace
- Catalogue
- MPP-012
- Process
- Giclée
- Captured
- 31 March 2019
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 3.0 sec s
- ISO
- 1000
- Focal length
- 14 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 297 × 210 mm
- Location
- Sydney, New South Wales, Australia
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Sydney, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
A film projector and a television set share a corner of the former Marina Picture Palace in Rosebery, each coated in the grime of decades of vacancy. The partition wall between them, brown with blue-painted moulding above, is the kind of improvised interior division that arrived after the cinema closed as a cinema on 8 February 1984. The Louis family, who purchased the Marina in 1967, converted the stalls into a video shop in the years that followed. The projector and the television are what that transition left behind.
Brett Patman
The series
Marina Picture Palace
The Marina Theatre, at first the Marina Picture Palace, is a former suburban cinema at Rosebery in Sydney, opened in 1927 and run as a cinema until 1984. The architect William de Putron designed it in 1925 and was one of the consortium formed to establish and run it, with the builder William Henry Rumble and the theatre manager Eric Christensen. It is brick, with a rendered Inter-War free-classical front under a stepped parapet and a corrugated iron roof.
Print sizes
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