Side Stair
Provenance
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 14mm · f/8.0 · 2.5 sec · ISO 640
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Two film projectors on wheeled bases stand beside a box television on a metal stand. Peeling blue paint covers the lower walls; ornate black and white floral wallpaper clings above. A concrete staircase with exposed aggregate descends into the room. A white-painted timber door frame stands open to one side. Concrete floor throughout.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Side Stair
- Series
- Marina Picture Palace
- Catalogue
- MPP-013
- Process
- Giclée
- Captured
- 31 March 2019
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 2.5 sec s
- ISO
- 640
- Focal length
- 14 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 297 × 210 mm
- Location
- Sydney, New South Wales, Australia
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Sydney, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
A side room at the Marina Picture Palace in Rosebery holds two film projectors on wheeled bases, a box television on a metal stand, and little else. Blue paint peels from the lower walls while ornate black and white floral wallpaper survives above, pressed against a concrete staircase with exposed aggregate. The Marina opened on 28 May 1927 and ran as a cinema until 8 February 1984, closing after a final attempt at revival under operator Paul Brennan proved unable to draw audiences back.
Brett Patman
The series
Marina Picture Palace
The Marina Theatre, at first the Marina Picture Palace, is a former suburban cinema at Rosebery in Sydney, opened in 1927 and run as a cinema until 1984. The architect William de Putron designed it in 1925 and was one of the consortium formed to establish and run it, with the builder William Henry Rumble and the theatre manager Eric Christensen. It is brick, with a rendered Inter-War free-classical front under a stepped parapet and a corrugated iron roof.
Print sizes
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