Side Wall
Provenance
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 14mm · f/8.0 · 1.6 sec · ISO 800
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Dark canvas is draped over the stage in the auditorium of the Marina Picture Palace at Rosebery, pulling against the red and white panelled walls that line the hall on either side. Two bare bulbs hang from the deep red ceiling. A green pipe lies across the floor in front of the stage apron, and a small ladder leans against the far right wall. Dust and scattered debris cover the space.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Side Wall
- Series
- Marina Picture Palace
- Catalogue
- MPP-014
- Process
- Giclée
- Captured
- 31 March 2019
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1.6 sec s
- ISO
- 800
- Focal length
- 14 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 297 × 210 mm
- Location
- Sydney, New South Wales, Australia
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Sydney, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
The auditorium of Marina Picture Palace on Gardeners Road, Rosebery sits quiet under dust and debris. The red ceiling that once glowed over 1,210 seats now hangs over an empty hall, its bare bulbs throwing flat light across panelled walls. A canvas draped over the stage, a green pipe on the floor, a ladder leaning against a wall: the remnants of a building that opened on 28 May 1927 and ran as a cinema until 8 February 1984, the last of six theatres that once served the Botany Bay district.
Brett Patman
The series
Marina Picture Palace
The Marina Theatre, at first the Marina Picture Palace, is a former suburban cinema at Rosebery in Sydney, opened in 1927 and run as a cinema until 1984. The architect William de Putron designed it in 1925 and was one of the consortium formed to establish and run it, with the builder William Henry Rumble and the theatre manager Eric Christensen. It is brick, with a rendered Inter-War free-classical front under a stepped parapet and a corrugated iron roof.
Print sizes
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