Sink

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
21mm · f/8.0 · 2.5 sec · ISO 250
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A triangular sink mounted in a corner. Single brass tap. Long rust-brown staining runs down the red-painted wall below the tap. Vertical and horizontal pipes cross the same wall. White paint drips mark a curved line higher up where red paint meets a rough brown surface at the corner. Surfaces show water damage and paint deterioration consistent with extended vacancy.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

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In situ

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01 PROVENANCE

Print datasheet

Title
Sink
Series
Marina Picture Palace
Catalogue
MPP-015
Process
Pigment inkjet, archival
Captured
31 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
2.5 sec s
ISO
250
Focal length
21 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Sydney, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Sydney, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A triangular sink, mounted tight into the corner of a utility room, is the entire subject of this frame. The brass tap has done what brass taps do when left alone long enough: it has left a rust-brown trail down the red wall below, a record of every slow drip across years of vacancy. Vertical and horizontal pipes cut across the same surface. Higher up, white paint has run in drips from a curved mark where the red wall meets a rough brown surface turning the corner. Nothing in the room suggests urgency or drama. It is a corner sink. It is what is left. The building around it is the former Marina Picture Palace at 409 Gardeners Road, Rosebery, designed by architect and consortium member William de Putron in 1925 and opened on Saturday 28 May 1927. De Putron was not a hired hand on this project. He was one of three men who built the cinema: he designed it, builder William Henry Rumble constructed it, and cinema entrepreneur Eric Christensen, holder of New South Wales Exhibitor's Licence No. 1, placed a gold sovereign in the brickwork during construction. The building opened with Mary Pickford in Sparrows and John Barrymore in The Beloved Rogue. The Marina ran as a cinema through silent film, talkies, television, and decline. Seating fell from its original figure to 974 by 1962. It passed through the Ward brothers, then Snider and Dean's Mascot Theatres circuit, then the Louis Film Company, which screened Greek-language and continental films for the pre-SBS era community. The cinema closed on 8 February 1984. The Louis family converted the stalls into a video shop, which ran until around 2002. After that, the building stood vacant. This photograph was made in 2019. The sink, the pipes, the drip stain, and the two shades of paint are what remain in this corner of a building that is the only surviving pre-World War Two cinema in the former Botany Bay local government area.

04 FROM THE FIELD NOTES

A triangular sink sits in the corner of a utility room inside the former Marina Picture Palace at 409 Gardeners Road, Rosebery. The brass tap has left a long rust-brown stain down the red wall below it, and white paint drips cross the surface above, where two different finishes meet at the corner. The building opened on 28 May 1927 and operated as a cinema until 8 February 1984, then as a video shop until around 2002. It has stood vacant since, the interior accumulating decades of water and paint damage while its Inter-War free-classical facade remains a local heritage item under the Bayside Local Environmental Plan 2021.

Brett Patman

Marina Picture Palace

The series

Marina Picture Palace

2019 · 20 photographs

Marina Picture Palace opened on 24 June 1927 on the corner of Gardeners Road and Sutherland Road, between Mascot and Rosebery. The architect William DePruton, who was also one of the original owners, designed it as a 1,210-seat single-screen picture palace, opening with a double bill of Mary Pickford in *Sparrows* and John Barrymore in *The Beloved Rogue*. The Snider & Dean Circuit ran the cinema from 1939 until the early 1960s. After a series of openings and closings under independent operators, the building reopened as the Rosebery Cinema on 1 October 1982 and closed as a working cinema for the final time on 8 February 1984. The stalls were converted into Videomania, a video shop that traded with much of the cinema's original decoration intact, until that closed by 2002. The building was converted to 47 apartments in the 2010s.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
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