Snack Bar

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 2.5 sec · ISO 640
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Yellow graffiti reading '121' marks the wooden window frame, one of 2 windows letting pale light into a gutted room. Black and white damask wallpaper peels from the walls in sections. A faded red carpet covers most of the floor beneath exposed ceiling joists and loose wiring.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

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A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

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In situ

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01 PROVENANCE

Print datasheet

Title
Snack Bar
Series
Marina Picture Palace
Catalogue
MPP-016
Process
Pigment inkjet, archival
Captured
31 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
2.5 sec s
ISO
640
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Sydney, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Sydney, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A gutted room inside the Marina Picture Palace on Gardeners Road, Rosebery, photographed in 2019. Two wooden-framed windows let pale light into the space. Yellow graffiti reading '121' marks the frame of the left window. Black and white damask wallpaper clings to the walls in peeling sections, the pattern still legible despite decades of neglect. A faded red carpet covers most of the floor. Above, the ceiling is stripped to its joists, with loose wiring trailing through the frame. A large wooden board leans against the far wall, half-blocking a doorway set beneath a low arch. The Marina Picture Palace was designed by architect William de Putron and opened on 28 May 1927, the work of an independent consortium that also included builder William Henry Rumble and cinema pioneer Eric Christensen, who placed a gold sovereign in the brickwork during construction. The building is Inter-War free-classical in style, its stepped parapet and rendered facade a deliberate contrast to the single-storey bungalows that characterise the surrounding Rosebery streetscape. The Marina passed through several operators across its life: the Ward brothers acquired it in 1935, leased it to Horace Edward Nagle, then sold it to Mascot Theatres Pty Ltd (Snider and Dean) in late 1938. In 1967, Chris Louis of Louis Film Company purchased the cinema in honour of his wife, whose name was also Marina. The Louis family specialised in continental and Greek-language films in the era before SBS television. After the Marina closed as a cinema on 8 February 1984, the Louis family converted the stalls area into a video shop, which operated until around 2002. The building has stood vacant since. The Marina is the only surviving pre-World War Two theatre in the former Botany Bay local government area. This photograph records what remains of one of its interior rooms as the building awaits an approved redevelopment that will retain only the Gardeners Road facade.

04 FROM THE FIELD NOTES

A gutted room inside the Marina Picture Palace on Gardeners Road, Rosebery, photographed in 2019. Black and white damask wallpaper clings to the walls in peeling sections, and a faded red carpet still covers most of the floor beneath exposed ceiling joists and loose wiring. Yellow graffiti reading '121' marks one of the two wooden window frames. A large wooden board leans against the far wall, half-blocking a low-arched doorway. The Marina opened on 28 May 1927 and operated as a cinema until 8 February 1984, the last of six theatres that once served the Botany Bay district.

Brett Patman

Marina Picture Palace

The series

Marina Picture Palace

2019 · 20 photographs

Marina Picture Palace opened on 24 June 1927 on the corner of Gardeners Road and Sutherland Road, between Mascot and Rosebery. The architect William DePruton, who was also one of the original owners, designed it as a 1,210-seat single-screen picture palace, opening with a double bill of Mary Pickford in *Sparrows* and John Barrymore in *The Beloved Rogue*. The Snider & Dean Circuit ran the cinema from 1939 until the early 1960s. After a series of openings and closings under independent operators, the building reopened as the Rosebery Cinema on 1 October 1982 and closed as a working cinema for the final time on 8 February 1984. The stalls were converted into Videomania, a video shop that traded with much of the cinema's original decoration intact, until that closed by 2002. The building was converted to 47 apartments in the 2010s.

View all in this series →

05 SIZE GUIDE

Print sizes

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Anatomy · true ratio
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