Bombala at Bombala Station, the white timber station sign stands at platform level, bold black letters spelling BOMBALA.

01 Bombala StationBombala2016

ISO 1001/1000f/8.014mm

Series · 23 prints

Bombala Station

Photographed 2016
Frames 23
Camera NIKON D810
Location New South Wales, Australia
Status Heritage museum and community precinct
Years 1921 to 1986
Heritage NSW SHR 01091
Specs Type 11 pre-cast concrete · 88 m platform · 60 ft turntable
01 ABOUT THIS SERIES

Series story

Map · Mapbox · OpenStreetMap

Bombala railway station is the terminus of the Goulburn-Bombala branch line, sitting at the southern end of the Monaro in NSW, near the Victorian border. The Nimmitabel to Bombala section opened on 21 November 1921, and every building in the yard dates from that year: the pre-cast concrete station building, signal box, goods shed, footbridge, turntable, gantry crane, cattle yard, and barracks. The last passenger service ran in August 1974. The last goods train rolled out on 26 March 1986. Listed on the NSW State Heritage Register (item 5011934, 2 April 1999), the station is described as one of the most intact country terminus sites from the 1920s railway expansion, with the station building rated as one of the best surviving pre-cast concrete structures in NSW. The Friends of Bombala Railway maintain the precinct as a heritage museum.

03 PRINTS

Prints in this series

Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.

04 ABOUT THE PRINTS

How they’re made

Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.

Paper

Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.

Editions

Open in XS and S. Limited in M (100), L (50), XL (25). From $100.

Print tiers →

Lead time

Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.

06 PRESS

In the press

I'm often contacted by people who used to frequent the places I photographed. They share stories that enter the collections as additions or corrections. Sometimes they send their own photos from the same viewpoints, taken decades earlier.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

One day I stopped at a vast abandoned factory I passed on my way home from work. There was a long section of fence missing. I wandered in, camera in hand, and that moment was the unofficial beginning of Lost Collective.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

Leaving a secure job to work as an artist, trying to manage inconsistent income and tempering the self-doubt and self-criticism that came with it has been one of the most difficult things I've done.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

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