Bathrooms at Waterfall Sanatorium, a brown vinyl armchair sits centre-frame on a floor thick with plaster dust and debris.

01 Waterfall SanatoriumWaterfall2018

ISO 1001/8f/8.014mm

Series · 54 prints

Waterfall Sanatorium

Photographed 2018
Frames 54
Camera NIKON D850
Location New South Wales, Australia
Status Garrawarra Centre for the Aged operates on site
Years 1909 to 1958
Specs 370 beds in 1914 · 788 patients in 1919 (largest sanatorium in NSW) · Approximately 2,000 graves in site cemetery
01 ABOUT THIS SERIES

Series story

The first patients arrived at the Hospital for Consumptives, Waterfall on 14 April 1909, with initial provision for 180 men. A women's wing opened in May 1912 for 120; by 1919 it had become the largest sanatorium in New South Wales, holding 788 patients. The site sat at about 1,000 feet (305 m), 26 miles (42 km) south of Sydney, on the medical theory that tuberculosis needed 'high and rarefied atmosphere in the country away from the grime and pollution of cities'.

Patients in the active phase of tuberculosis lived in fibro chalets, each about the size of a garden shed. Larger ward buildings held the advanced and chronic cases. By 1914 the site carried 370 beds across the chalets and wards combined.

Sanatorium treatment was the dominant model for tuberculosis care in Australia from the late 19th century, anchored on fresh air, elevation, rest and isolation. Mid-century antibiotics and thoracic surgery transformed treatment, making the isolation regime unnecessary. Waterfall Sanatorium closed in 1958, joining a wider wind-down of sanatoria across New South Wales.

The site became Garrawarra Hospital from 1958, and is now the Garrawarra Centre for the Aged. The cemetery within the grounds holds approximately 2,000 graves, controlled by Wollongong Council. Some Waterfall-era buildings remain on the working aged-care site.

South Eastern Sydney Local Health District (Garrawarra history), NSW State Archives (AGY-1995 Waterfall Sanatorium) and Find and Connect (Waterfall Sanatorium)

02 TIMELINE

Chronology

1909
1912
1914
1919
1958
03 PRINTS

Prints in this series

Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.

04 ABOUT THE PRINTS

How they’re made

Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.

Paper

Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.

Editions

Open in XS and S. Limited in M (100), L (50), XL (25). From $100.

Print tiers →

Lead time

Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.

06 PRESS

In the press

One day I stopped at a vast abandoned factory I passed on my way home from work. There was a long section of fence missing. I wandered in, camera in hand, and that moment was the unofficial beginning of Lost Collective.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

Leaving a secure job to work as an artist, trying to manage inconsistent income and tempering the self-doubt and self-criticism that came with it has been one of the most difficult things I've done.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

Holding a solo exhibition in one of the spaces I've photographed would also be a dream, particularly at a site with a strong community connection - so the images can be enjoyed by the people who made it matter.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

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