Number Six Raw Mill at Kandos Cement Works, a ball mill sits heavy in the half-light, its riveted steel drum tilted toward.

01 Kandos Cement WorksKandos2016

ISO 1006sf/8.014mm

Series · 40 prints

Kandos Cement Works

Photographed 2016
Frames 40
Camera NIKON D7000
Location New South Wales, Australia
Status Disused industrial site, partly demolished
Years 1916 to 2011
Specs 95 years of continuous cement production · Sole cement supplier to Sydney Harbour Bridge (1928-1932) · Portland cement via dry-process rotary kilns
01 ABOUT THIS SERIES

Series story

Map · Mapbox · OpenStreetMap

The town's first name was Candos, an acronym of the directors' surnames at the NSW Cement Lime and Coal Company. They bought 100 acres from local farmer John Lloyd Junior for £2,000 in 1913 and had surveyor James Dawson lay out the township. The Postmaster General ruled the name change to Kandos in 1915, and by August 1916 the kilns at the new cement works were firing.

The original plant was meant to come from Krupp Bremen. The order was interrupted by the outbreak of WWI in 1914, and the machinery was interned in Portuguese West Africa. Managing director Frank Oakden travelled to the United States and England to source replacement plant, and the works that started cement production in 1916 was the second one Kandos had bought.

From 1928 to 1932 Kandos was the sole cement supplier to the Sydney Harbour Bridge. Lawrence Ennis, Director of Construction at Dorman Long, confirmed it in his 1932 souvenir booklet Bond of Empire and publicly ruled out the Tasmanian competitor in July 1929. The bridge cement came out of Kiln 5.

Cement Australia closed the plant in September 2011 after 95 years of continuous production. Sibelco salvaged the mid-section of Kiln 5 for the Charbon lime plant; the rest remains the subject of a Kandos Museum campaign to save it. The site has no statutory heritage listing, and was sold in June 2025 to a developer proposing a waste-to-fuel plant.

International Cement Review (Kandos closure), Engineering Heritage Australia (Ennis 1932 cite) and Cenagen Fact Sheet

02 TIMELINE

Chronology

1913
1914
1915
1916
1920
1928
2007
2011
2013
03 PRINTS

Prints in this series

Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.

04 ABOUT THE PRINTS

How they’re made

Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.

Paper

Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.

Editions

Open in XS and S. Limited in M (100), L (50), XL (25). From $100.

Print tiers →

Lead time

Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.

05 FIELD NOTE

From the field

Read all field notes
06 PRESS

In the press

Often I'd find myself looking at the machines and architecture and challenging myself to find one single object designed purely for aesthetics. Craftsmanship made way for efficiency in engineering long before I'd even left school.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

People talk about what it was like to work or stay in these places, who they knew, what they did, how great the Christmas parties were, that store man nobody liked, what all the different machines were, how they worked and what became of them.

Broadsheet

Brett Patman·2016

lostcollective.com

On the LC archive.

There's this sense of wonder you get when looking at abandoned buildings. You try to imagine what these spaces were like when they were filled with busy workers trying to meet production targets. And why did they close?

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

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