Compressors

Provenance

Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1.6s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Two colossal compressors dominate the dim interior of Kandos Cement Works. Their steel frames are thick with rust and peeling paint. These machines once powered the vast industrial complex in rural New South Wales.

Edition
Open edition

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Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

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A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

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Size
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Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Compressors at Kandos Cement Works, two heavy compressors crowd a narrow passage deep inside the plant.Compressors at Kandos Cement Works, two heavy compressors crowd a narrow passage deep inside the plant.Compressors at Kandos Cement Works, two heavy compressors crowd a narrow passage deep inside the plant.Compressors at Kandos Cement Works, two heavy compressors crowd a narrow passage deep inside the plant.Compressors at Kandos Cement Works, two heavy compressors crowd a narrow passage deep inside the plant.
01 PROVENANCE

Print datasheet

Title
Compressors
Series
Kandos Cement Works
Catalogue
KCW-007
Process
Giclée
Captured
13 February 2016
Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1.6s s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Kandos, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Kandos, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A bank of compressors sits in the compressor house at Kandos Cement Works, several large machines lined up on concrete pads with their drive motors at one end and their air receivers running along the wall behind. Each compressor is a horizontal reciprocating unit with a heavy flywheel at the drive end, the type that was standard plant in Australian heavy industry for most of the twentieth century. The paintwork is chipped at the edges where decades of maintenance access have worn it back. Pressure gauges are mounted on the air receivers behind. Cabling runs from the motor terminal boxes up to the overhead trays. The compressor house is lit through high windows along the upper wall. The room is silent.

A cement works runs almost everything on compressed air at some point in its circuit: pneumatic conveying of cement and dust, instrumentation lines, the actuators that operate dampers and valves, and the air blast that fluidises material in the silos. The compressor house was where that air supply was generated. The bank at Kandos ran continuously while the plant was operating, with units rotating through service and standby for maintenance. The plant closed in September 2011 after 95 years of cement production. The compressors stopped at the same time. Most of the larger compressed-air consumers have since been removed from the plant; the compressors themselves have stayed in place.

04 FROM THE FIELD NOTES

Two heavy compressors crowd a narrow passage deep inside the plant. Cast iron housings sit black with grease and cement dust. Pipes and valve assemblies climb the blockwork walls on both sides. A red 44-gallon drum stands near the far doorway where daylight floods in, catching the grit scattered across the concrete floor. Beyond the opening, the curved steel plates of a large silo or cyclone are visible. Everything carries a thick film ofite powder.

Brett Patman

Kandos Cement Works

The series

Kandos Cement Works

2016 · 40 photographs

The town's first name was Candos, an acronym of the directors' surnames at the NSW Cement Lime and Coal Company. They bought 100 acres from local farmer John Lloyd Junior for £2,000 in 1913 and had surveyor James Dawson lay out the township. The Postmaster General ruled the name change to Kandos in 1915, and by August 1916 the kilns at the new cement works were firing.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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