Cement Mill Floor

Provenance

Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Settings
17mm · f/8.0 · 4s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

The vast concrete floor of a cement mill at Kandos bears the marks of decades of industrial activity. Remnants of machinery lie scattered across the dusty surface.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

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A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

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Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Cement Mill Floor at Kandos Cement Works, the years have shaped the dust into something almost alive.Cement Mill Floor at Kandos Cement Works, the years have shaped the dust into something almost alive.Cement Mill Floor at Kandos Cement Works, the years have shaped the dust into something almost alive.Cement Mill Floor at Kandos Cement Works, the years have shaped the dust into something almost alive.Cement Mill Floor at Kandos Cement Works, the years have shaped the dust into something almost alive.
01 PROVENANCE

Print datasheet

Title
Cement Mill Floor
Series
Kandos Cement Works
Catalogue
KCW-004
Process
Giclée
Captured
13 February 2016
Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
4s s
ISO
100
Focal length
17 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Kandos, New South Wales, Australia
Recognised by
National Trust of Australia (NSW), 2016 Heritage Award, Multimedia
02 LOCATION

Kandos, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The floor of one of the cement mills at Kandos has built up over the decades into a landscape of cement-dust spires. The dust accumulated under the mill while it was running, then hardened in place over the years since closure. The spires are fragile but solid, ranging from low mounds to columns that come up to chest height. The colour is pale grey, almost white in places. Moisture cycles have set the surface into a slightly crystalline pattern. The light coming through high clerestory windows above catches the spires from the side. The whole floor reads as a slow-grown stalagmite field at industrial scale.

A cement mill grinds clinker into the fine powder that becomes finished cement. The mills run continuously while the plant is operating; some of the powder escapes the grinding circuit through joins and seals and settles on the floor underneath. At Kandos the mill ran for decades. Cleaning crews brought the dust under control during operation, but in the years since the plant closed in September 2011 the floor has been left to itself. What is in this photograph is not active production residue. It is the slow accretion of escaped material, hardened by humidity, taking a form that nobody specifically intended. Cement dust does this when it is not interfered with: it slowly turns back into something that looks like rock.

04 FROM THE FIELD NOTES

The years have shaped the dust into something almost alive. What was once a fine powder, drifting through the air with every shift in movement, has slowly settled and hardened, forming jagged spires that mirror the pattern of the grated floor beneath.

Brett Patman

Kandos Cement Works

The series

Kandos Cement Works

2016 · 40 photographs

Kandos Cement Works ran for ninety-five years in the central west of New South Wales, from August 1916 to September 2011. The town was named after the works, an acronym of the original director surnames forced into its current spelling by the Postmaster General in 1915. The plant was the sole cement supplier to the Sydney Harbour Bridge between 1928 and 1932.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
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