Front Facade at Mountain View Homestead, the front facing exterior of Mountain View Homestead.

01 Mountain View HomesteadWisemans Creek2018

ISO 1001/320f/8.014mm

Series · 2 prints

Mountain View Homestead

Photographed 2018
Frames 2
Camera NIKON D850
Location New South Wales, Australia
Status Vacant; under conservation
Heritage NSW SHR 01743
Specs Two-storey wattle and daub · Six ground-floor rooms · Probably only two-storey wattle and daub in Australia
01 ABOUT THIS SERIES

Series story

Mountain View Homestead is a two-storey wattle and dab house at Wisemans Creek in Oberon Shire, on the NSW Central Tablelands between Bathurst, Oberon and Lithgow. Designed and built by David Smith Todd between 1880 and 1894 in a French Renaissance style, it is believed to be the only known two-storey wattle-and-daub dwelling in NSW. Timber was harvested on the property; mud came from the nearby Levy's Gully; lime plaster on the outside disguised the construction. There is no internal staircase: the upper floor is reached by a ladder from the kitchen and external steps. Todd was a community figure in his own right, running for the seat of Macquarie in 1898 on a ticket advocating free trade, agriculture, Federation and women's suffrage. The homestead was added to the NSW State Heritage Register on 10 March 2006. Conservation in progress.

03 PRINTS

Prints in this series

Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.

04 ABOUT THE PRINTS

How they’re made

Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.

Paper

Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.

Editions

Open in XS and S. Limited in M (100), L (50), XL (25). From $100.

Print tiers →

Lead time

Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.

06 PRESS

In the press

Often I'd find myself looking at the machines and architecture and challenging myself to find one single object designed purely for aesthetics. Craftsmanship made way for efficiency in engineering long before I'd even left school.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

People talk about what it was like to work or stay in these places, who they knew, what they did, how great the Christmas parties were, that store man nobody liked, what all the different machines were, how they worked and what became of them.

Broadsheet

Brett Patman·2016

lostcollective.com

On the LC archive.

There's this sense of wonder you get when looking at abandoned buildings. You try to imagine what these spaces were like when they were filled with busy workers trying to meet production targets. And why did they close?

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

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