Milling Area

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/9.0 · 1/8 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Three ball mills line the left of the milling floor, a wooden staircase rising to the walkway above. A red sign marks the base of the stairs. Furukawa's operation ran this floor from 1877 to the Excavation Department's closure in 1973.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
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Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Milling Area at Ashio Copper Mine, a large drum mill sits bolted to its concrete plinth, Japanese characters cast.Milling Area at Ashio Copper Mine, a large drum mill sits bolted to its concrete plinth, Japanese characters cast.Milling Area at Ashio Copper Mine, a large drum mill sits bolted to its concrete plinth, Japanese characters cast.Milling Area at Ashio Copper Mine, a large drum mill sits bolted to its concrete plinth, Japanese characters cast.Milling Area at Ashio Copper Mine, a large drum mill sits bolted to its concrete plinth, Japanese characters cast.
01 PROVENANCE

Print datasheet

Title
Milling Area
Series
Ashio Copper Mine
Catalogue
ACM-016
Process
Giclée
Captured
7 May 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
1/8 s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Ashio, Tochigi, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Ashio, Tochigi, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The milling area at Ashio Copper Mine occupies one of the central levels of the processing plant, a long industrial hall with ball mills set along the floor and the supporting steelwork of the conveyors and chutes rising overhead. The hall is lit from one side by a row of large industrial windows facing the valley, the panes mostly intact but coated in decades of dust. The floor is concrete, stained with the pale grey ore residue that escaped from the mills over the years. The mill drums, their steel bodies darker than the rest of the room, sit between drive pedestals at one end and discharge housings at the other. Overhead, the ductwork carries dust-laden air toward the extraction fans on the far wall.

The milling area was the second major processing stage at Ashio, taking the crushed ore from the receiving hoppers and reducing it to the fineness required for the flotation circuit downstream. The ball mills here ran almost continuously through the working shifts under the Furukawa modernisation from 1877 onwards. The Excavation Department closed in 1973, and the milling area shut down with the rest of the plant. Some of the heavier machinery has been disturbed in the years since, but most of the major fittings have stayed in place. The hall remains essentially as it was at closure.

04 FROM THE FIELD NOTES

A large drum mill sits bolted to its concrete plinth, Japanese characters cast into the base. Rust coats every surface. Steel gantries and access stairs climb the walls on both sides, crossing overhead in a dense lattice of brown iron. Gravel covers the floor. Daylight filters through gaps in the corrugated roof, throwing pale rectangles across the ground. A red 立入禁止 sign marks a cordoned section to the right. The air feels thick with mineral dust and old iron.

Brett Patman

Ashio Copper Mine

The series

Ashio Copper Mine

2016 · 24 photographs

Furukawa Ichibei acquired the Ashio mine in 1877 with financial backing from Shibusawa Eiichi. By 1922 the operation had consolidated its three separate ore-processing plants into one. The Tsudō Ore-Dressing Plant, on the Watarase River, was held up at home and abroad as a model facility for metal mines.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
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