Genuine Leather Seats
Provenance
- Camera
- NIKON D7000
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 21mm · f/8.0 · 6s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Genuine leather seats, their surfaces cracked and faded, rest amidst the silent decay of the Eveleigh Paint Shop. They bear witness to years of abandonment within this former industrial hub.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Genuine Leather Seats
- Series
- Eveleigh Paint Shop
- Catalogue
- EPS-008
- Process
- Giclée
- Captured
- 14 March 2016
- Camera
- NIKON D7000
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 6s s
- ISO
- 100
- Focal length
- 21 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Eveleigh, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Eveleigh, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
Green leather seats line the interior of a decommissioned railway carriage. The upholstery carries pressed NSWGR emblems, still legible under a layer of fine dust. Hand-turned timber armrests with scrolled detailing frame each seat. A heavy wooden door with glass panes sits ajar beside them. Flat light enters through the windows, falling across the worn floor. Another carriage is visible outside, its corrugated steel side tagged with graffiti.
Brett Patman
The series
Eveleigh Paint Shop
George Cowdery worked on the Britannia Bridge with Robert Stephenson in 1847. John Whitton, Engineer-in-Chief for NSW Railways, brought him to NSW in 1863, where he supervised the colony's first railway tunnels at Picton and Mittagong. The brick main wing of the Paint Shop was completed in 1887, eight rail roads under a sawtooth south-light roof.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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