Stoves

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
24mm · f/9.0 · 20s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Industrial stoves sit silent within the abandoned kitchen of Kinugawa Kan. Rust stains their metal surfaces, and grime coats the tiles. This derelict space once prepared meals, now it holds only stillness.

Edition
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A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

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In situ

Stoves at Kinugawa Kan, a row of heavy-duty gas stoves sits coated in dust, their burners long extinguished.Stoves at Kinugawa Kan, a row of heavy-duty gas stoves sits coated in dust, their burners long extinguished.Stoves at Kinugawa Kan, a row of heavy-duty gas stoves sits coated in dust, their burners long extinguished.Stoves at Kinugawa Kan, a row of heavy-duty gas stoves sits coated in dust, their burners long extinguished.Stoves at Kinugawa Kan, a row of heavy-duty gas stoves sits coated in dust, their burners long extinguished.
01 PROVENANCE

Print datasheet

Title
Stoves
Series
Kinugawa Kan
Catalogue
KKA-020
Process
Giclée
Captured
9 May 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
20s s
ISO
100
Focal length
24 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Nikko, Tochigi, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Nikko, Tochigi, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A row of commercial gas stoves at Kinugawa Kan sits along one wall of the back kitchen, the heavy steel range stretching for several metres with multiple burners at the top and oven compartments below. The stainless-steel surfaces are dust-coated and stained with the residue of years of cooking. The burner grates are rusted. The control knobs along the front are still in place, set to off. Above the range, a steel exhaust hood hangs from the ceiling, its filters long since clogged. The tiled splashback wall behind the range is pale green, the tiles intact but the grout discoloured. The fluorescent lighting strip overhead is mostly out, leaving the dim daylight from the high window as the main light source.

This was the hot line of the Kinugawa Kan kitchen, where the bulk of the multi-course kaiseki dinners and the lighter washoku breakfasts were cooked across the operational life of the hotel. A property of nine storeys and seventy rooms at full occupancy demanded a kitchen of this scale. Kinugawa Kan opened in December 1942 and ran for over five decades before entering business suspension in June 1999. After closure the portable equipment was removed but the fixed plant stayed in place. The stoves have not been lit since.

04 FROM THE FIELD NOTES

A row of heavy-duty gas stoves sits coated in dust, their burners long extinguished. Dead leaves have settled on the stovetops, carried in by the slow encroachment of time, resting where flames once burned beneath simmering pots. The rusted drums of old cooking oil stand nearby, their metal casings corroded, their labels faded and peeling.

Brett Patman

Kinugawa Kan

The series

Kinugawa Kan

2016 · 22 photographs

Hoshi Takashi (星堯) incorporated Yugen-gaisha Kinukawa-kan Honten (有限会社きぬ川館本店) on 31 December 1942, on the Kinugawa River gorge in what is now Nikko City. The hotel grew to nine storeys, 70 guest rooms, one restaurant, and the Kappa-buro (かっぱ風呂) hot-spring bath on the river. In June 1999 the company filed for bankruptcy with debts of approximately 30億円, the first hotel at Kinugawa Onsen to fail in the post-bubble era.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
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