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Administration Entrance | White Bay Power Station

Year
2015
Location
Rozelle, New South Wales, Australia
Edition
Open edition
Process
Giclée
Substrate
Ilford Smooth Cotton Rag 310gsm
Certificate
✓ Certificate of Authenticity included

The administration entrance at White Bay Power Station shows years of decay. Sunlight falls across a peeling wall, revealing faded paint and crumbling plaster. Empty corridors stretch into the building's silent interior.

Read the story behind this series →
Size Guide

Size Guide

Size: XS
Type: Unframed
Colour: N/A

Add 2 or more prints — 10% off applied at checkout.

A concrete ramp leads directly to the main entrance. The green timber door sits closed beneath a carved stone lintel reading "POWER STATION," with "NSWR&T" set into the facade above. Flanking panels are painted a faded mauve. Chain-link fencing and steel palisade rails line both sides of the approach, their pale green paint flaking to rust. Windows on the upper storey are boarded with plywood. Dark water stains streak the rendered concrete walls. A warning sign is fixed to the door. No light comes from inside. White Bay Power Station opened in 1917 and supplied electricity to Sydney's tramway network under the New South Wales Government Railways and Tramways. The station ceased generating in 1983. The administration building and turbine halls have stood derelict on the Rozelle waterfront since closure, protected by a State Heritage listing granted in 2000.

Limited Editions — Sizes M, L, XL
Each size is a fixed edition, individually numbered and signed.
The edition count covers all framing variations combined (unframed, framed, glass-mounted).
Once sold out, the edition is closed and never reproduced.

Open Editions — Sizes XS, S
Unnumbered, but personally signed and titled by Brett Patman.
Printed on the same Canson® cotton rag stock as the limited editions.
Sizes:
XS — 300 × 200mm (Open Edition)
S — 420 × 300mm (Open Edition)
M — 600 × 400mm (Limited Edition of 100)
L — 841 × 594mm (Limited Edition of 50)
XL — 1189 × 841mm (Limited Edition of 25)

Framing:
Unframed — white border, signed, titled, dated, and numbered on the reverse.
Framed — sustainably sourced timber in raw, white, or black finish.
Glass print — 6mm toughened low-iron glass, bevelled edge, concealed mount.
Acrylic block — freestanding, 20 × 30 × 3cm, suited to desktops and shelves.
Custom framing available on request.
Framed & Unframed: Ilford Smooth Cotton Rag 310gsm — acid-free, archival cotton stock.
Glass prints: Ilford Galerie Metallic Gloss 260gsm — face-mounted to 6mm toughened glass.
Ink: Epson UltraChrome™ HD archival pigment inks.
Longevity: 100+ year fade resistance under normal display conditions.
Handle unframed prints with clean, dry hands.
Keep away from direct sunlight and moisture.
Clean glass and acrylic surfaces with a soft, dry cloth.
Store unframed prints flat or rolled in a cool, dry place.
Unframed prints: 5–10 business days.
Framed and glass prints: 10–20 business days.

Worldwide shipping. Tracking provided on all orders.
Unframed prints ship in rigid mailers or protective tubes.
Framed and glass works are custom-crated for transit.
All prints are made to order and non-refundable.
If your order arrives damaged, contact us within 7 days with photos. We will replace it at no charge.
If packaging is visibly damaged on arrival, ask the carrier to note it before you sign.