Glass Curtain | White Bay Power Station
From $50.00 – $2,500.00
- Series
- White Bay Power Station
- Year
- 2015
- Location
- Rozelle, New South Wales, Australia
- Edition
- Open edition
- Process
- Giclée
- Substrate
- Ilford Smooth Cotton Rag 310gsm
- Certificate
- ✓ Certificate of Authenticity included
Sunlight illuminates the vast, grimy windows of White Bay Power Station, creating a shimmering glass curtain. Dust motes dance in the light, highlighting the industrial structure’s advanced decay.
Read the story behind this series →Size Guide
A towering mosaic of glass and steel, where light filters through dust-streaked panes, casting shifting patterns across the skeletal remains of the boiler house.
Some panels remain intact, others fractured or missing, each imperfection a mark of time’s slow reclamation. The grid of windows, once a seamless barrier between industry and sky, is now a patchwork of decay, revealing glimpses of the world beyond.
Through the glass, a lone chimney stack rises. A stark silhouette against the sky, standing as both a remnant of the station’s industrial past and a silent witness to its long dormancy.
A statement piece for those drawn to industrial architecture and urban decay, this print captures the delicate balance between strength and fragility, past and present.
- + Editions & Collectibility
-
Limited Editions — Sizes M, L, XL
Each size is a fixed edition, individually numbered and signed.
The edition count covers all framing variations combined (unframed, framed, glass-mounted).
Once sold out, the edition is closed and never reproduced.
Open Editions — Sizes XS, S
Unnumbered, but personally signed and titled by Brett Patman.
Printed on the same Canson® cotton rag stock as the limited editions. - + Print Sizes & Framing
-
Sizes:
XS — 300 × 200mm (Open Edition)
S — 420 × 300mm (Open Edition)
M — 600 × 400mm (Limited Edition of 100)
L — 841 × 594mm (Limited Edition of 50)
XL — 1189 × 841mm (Limited Edition of 25)
Framing:
Unframed — white border, signed, titled, dated, and numbered on the reverse.
Framed — sustainably sourced timber in raw, white, or black finish.
Glass print — 6mm toughened low-iron glass, bevelled edge, concealed mount.
Acrylic block — freestanding, 20 × 30 × 3cm, suited to desktops and shelves.
Custom framing available on request. - + Paper & Print Quality
-
Framed & Unframed: Ilford Smooth Cotton Rag 310gsm — acid-free, archival cotton stock.
Glass prints: Ilford Galerie Metallic Gloss 260gsm — face-mounted to 6mm toughened glass.
Ink: Epson UltraChrome™ HD archival pigment inks.
Longevity: 100+ year fade resistance under normal display conditions. - + Care & Handling
-
Handle unframed prints with clean, dry hands.
Keep away from direct sunlight and moisture.
Clean glass and acrylic surfaces with a soft, dry cloth.
Store unframed prints flat or rolled in a cool, dry place. - + Shipping & Delivery
-
Unframed prints: 5–10 business days.
Framed and glass prints: 10–20 business days.
Worldwide shipping. Tracking provided on all orders.
Unframed prints ship in rigid mailers or protective tubes.
Framed and glass works are custom-crated for transit. - + Returns & Replacements
-
All prints are made to order and non-refundable.
If your order arrives damaged, contact us within 7 days with photos. We will replace it at no charge.
If packaging is visibly damaged on arrival, ask the carrier to note it before you sign.
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