Workshop To Powerhouse at Portland Cement Works, a concrete path cuts across bare ground between two industrial buildings.

01 Portland Cement WorksPortland2018

ISO 1001/1250f/8.014mm

Series · 44 prints

Portland Cement Works

Photographed 2018
Frames 44
Camera NIKON D850
Location New South Wales, Australia
Status Disused; redevelopment as 'The Foundations' creative village commenced 2017
Years 1902 to 1991
Heritage NSW SHR 01739
Architect August Scheidel
Specs 86 hectares total site · Coal-fired rotary kilns · Peak production 143,803 tons (1927)
01 ABOUT THIS SERIES

Series story

Portland Cement Works in central western NSW began as a limestone quarry in 1863 and produced lime then cement on and off from the late 1880s. The Commonwealth Portland Cement Company, formed in December 1900, completed the main works in 1902 and built the distinctive arched-window powerhouse between 1900 and 1903 - its iron girders shipped from the same English manufacturer that supplied the Eveleigh Railway Yards. The works lit Portland's streets from 1910. The Off White cement that came out of the works in the 1960s became the basis of the Portland Cement brand still used in Australia. Production ran on a dry process until 1928, then a wet process from the 1940s, then under Blue Circle Southern Cement after the 1974 BHP merger. Cement ceased in 1991; quarrying ended in 1998. Listed on the NSW State Heritage Register on 3 August 2012. The site is now owned by AWJ Civil; Guido van Helten's silo murals, painted in April and May 2018, depict six former Portland Cement workers.

03 PRINTS

Prints in this series

Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.

04 ABOUT THE PRINTS

How they’re made

Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.

Paper

Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.

Editions

Open in XS and S. Limited in M (100), L (50), XL (25). From $100.

Print tiers →

Lead time

Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.

06 PRESS

In the press

People talk about what it was like to work or stay in these places, who they knew, what they did, how great the Christmas parties were, that store man nobody liked, what all the different machines were, how they worked and what became of them.

Broadsheet

Brett Patman·2016

lostcollective.com

On the LC archive.

There's this sense of wonder you get when looking at abandoned buildings. You try to imagine what these spaces were like when they were filled with busy workers trying to meet production targets. And why did they close?

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

I'm often contacted by people who used to frequent the places I photographed. They share stories that enter the collections as additions or corrections. Sometimes they send their own photos from the same viewpoints, taken decades earlier.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

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