Behind the Lens: White Bay Power Station
Brett Patman on working inside White Bay Power Station. The thirty-metre boilerhouse, the overhead cranes, and photographing a building that is open again.
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Series · 124 prints
White Bay Power Station was the longest-serving of Sydney's metropolitan power stations. Construction began in 1912; it ran from 1917 until Christmas Day 1983. A coal-fired steam plant on the western edge of the harbour, it was extended in two further phases - 1923 to 1928, and 1945 to 1948 - and at peak employed around 500 to 600 people. It is now state-owned, mostly vacant, and opened occasionally for arts and film.
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm. Metallic Gloss 260 gsm for glass-mounted prints.
Sizes
Five sizes, XS to XL, from $100. Open editions in XS and S, limited editions in M, L and XL.
Print tiers →Production
Made to order in 3 to 5 business days.
Brett Patman on working inside White Bay Power Station. The thirty-metre boilerhouse, the overhead cranes, and photographing a building that is open again.
Read the noteCapture Magazine was the first publication to ever contact me for an interview. Not long after posting the first White Bay Power Station gallery, Marc Gafen reached out to discuss how the shoot came about and what it felt like to step in...
Read →Yen Magazine was one of the first publishers ever to talk to me about Lost Collective, which is quite exciting for me because I love Yen.
Read →I was invited to write for Broadsheet early in 2016. it was an opportunity to tell the story of what drives me to do what I do with Lost Collective.
Read →Online art magazine iGNANT got in touch early 2016 to talk about Lost Collective. Another amazing publication who helped share the story from the very beginning.
Read →Curbed called all the way from New York to talk with me about Lost Collective and shooting industrial relics and abandoned factories.
Read →This feature for Creators was right at the start of Lost Collective when the project was just three months old and receiving local and international recognition. I think I had three major features in this week alone!
Read →This article in Domain was the digital version of my feature in Sydney Morning Herald, and the beginning of a wave of media exposure during the infancy of Lost Collective that really helped to propel the project to where it is today.
Read →I haven’t been able to bring myself to listen to this interview I did with Radio New Zealand Nine to Noon .
Read →