Thirroul Beach Motel, Thirroul at Hotel Motel 101, a red brick motel with pastel coloured doors under a starlit sky.

01 Hotel Motel 101New South Wales2018

ISO 8004sf/2.814mm

Series · 103 prints

Hotel Motel 101

Photographed 2018
Frames 103
Camera NIKON D850
Location NSW, within roughly 170 km of Sydney
Status Most motels still operate
Specs 101 motels photographed · Photographed 2018 · NSW within ~170 km radius of Sydney
01 ABOUT THIS SERIES

Series story

Map · Mapbox · OpenStreetMap

Hotel Motel 101 is a series of one hundred and one motels photographed in 2018 across three runs out of Sydney. North to the Central Coast, west through the Blue Mountains to the central western tablelands, south down the NSW South Coast. The count crept up from a planned seventy toward the round number, plus one for safety.

Approximately one hundred and twenty motels were visited; ninety percent of those were photographed. The work was shot late at night and very early in the morning, when the signs are still lit and the lots are mostly empty. Most of the motels in the series still operate. The Thirroul Beach Motel is one of them: Brett Whiteley died in room 4 there on 15 June 1992. The room appears in the series. The work was first published in Suitcase Magazine on 1 May 2018, sold at the Finders Keepers market the same week, and was the subject of a Vivid Ideas talk at the MCA on 2 June.

Suitcase Magazine (Transient Lives), Broadsheet Sydney (Kei Wa Lee) and BROAD Magazine

02 CAPTURE TIMELINE

Chronology

03 PRINTS

Prints in this series

Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.

04 ABOUT THE PRINTS

How they’re made

Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.

Paper

Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.

Editions

Open in XS and S. Limited in M (100), L (50), XL (25). From $100.

Print tiers →

Lead time

Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.

05 FIELD NOTE

From the field

Read all field notes
06 PRESS

In the press

People talk about what it was like to work or stay in these places, who they knew, what they did, how great the Christmas parties were, that store man nobody liked, what all the different machines were, how they worked and what became of them.

Broadsheet

Brett Patman·2016

lostcollective.com

On the LC archive.

There's this sense of wonder you get when looking at abandoned buildings. You try to imagine what these spaces were like when they were filled with busy workers trying to meet production targets. And why did they close?

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

I'm often contacted by people who used to frequent the places I photographed. They share stories that enter the collections as additions or corrections. Sometimes they send their own photos from the same viewpoints, taken decades earlier.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

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